SCAT ! Vocal improvisation techniques

INTRODUCTION : A HISTORY OF SCAT -- CHAPTER 1 : RHYTHMIC CONSIDERATIONS - RHYTHM ETUDE 1 - RHYTHM ETUDE 2 - RHYTHM ETUDE 3 - RHYTHM ETUDE 4 -- CHAPTER 2 : MELODIC CONSIDERATIONS - SCAT SYLLABLE WARM UP - TRADITIONAL DIATONIC PATTERNS - II-V MODAL JAZZ PATTERNS - ONE-MEASURE II-V PATTERNS - TWO-MEASURE II-V PATTERNS - MELODIC EMBELLISHMENT - II-V PATTERN ETUDE - LINE CONTOUR - EXTENDED II-V ARPEGGIO APPROACH - EXTENDED II-V ALTERED SCALE APPROACH -- CHAPTER 3 : MELODIC CONSIDERATIONS - MODAL SCALES - CHORD SCALES - MAJOR 6TH AND 7TH CHORDS - BASIC CHORD SCALES - MINOR 7TH CHORDS - ADDITIONAL MINOR SCALES - ALTERED DOMINANT 7THCHORDS - ALTERED DOMINANT SCALES - DOM. 7TH PHRASES, WALKING BASS LINE - DOM. 7TH WITH SHARP 11 - DOM. 7TH TURNAROUND - LOCRIAN, ALTERED MIXOLYDIAN SCALES -- CHAPTER 4 : MELODIC SOLOS - BLUES IN F - MINOR 12 BAR BLUES SOLOS - RHYTHM CHANGES SOLO - MISS JUNE - HOW HOT THE SUN -- CHAPTER 5 : VOCAL BASS LINES - CYCLE 5 ROOTS, 5THS - CYCLE 5 ROOTS, 5THS, 7THS - CYCLE 5 ROOTS, 3RDS, 7THS - WALKING BASS LINE - TWO WALKING BASS LINES - WALKING BASS THEME AND VARIATIONS - BLUES BASS LINE - RHYTHM CHANGES FOR VOCAL BASS - VOCAL BASS FANTASY -- CHAPTER 6 : VOCAL DRUM ARTICULATIONS - STRAIGHT 8TH FEEL - TRIPLET FEEL - 16TH FEEL - SHUFFLE ETUDE - 16TH FUNK ETUDE -- CHAPTER 7 : SOLO A CAPPELLA TECHNIQUE - SOLO A CAPPELLA 12-BAR BLUES - A CAPPELLA ETUDE - WALKIN' -- CHAPTER 8 : SING-ALONG PATTERNS -- CHAPTER 9 : VOCAL DRUM GROOVES -- WHAT'S ON THE CD.